Fast & Furious (Two-Disc Special Edition) [Blu-ray]

• Condition: Average
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Special Edition; Subtitled; Widescreen

Fugitive Dom Toretto (Vin Diesel) partners with former cop Brian O'Conner (Paul Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered US strike force led by their toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job -- an insane heist worth $100 million.More is less is generally the case with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each inst! allment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing that the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immor! tal War of the Gargantuas. Viewers in the mood for a li! ttle log ic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightGet ready for "five times the action, excitement and fun" (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin! . To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an insane heist worth $100 million. Starring: Vin Diesel, Paul Walker, Dwayne 'The Rock' Johnson, Jordana Brewster, Tyrese Gibson, Chris 'Ludacris' Bridges, Matt Schulze, Sung Kang, Gal Gadot, Tego Calderon, Don Omar, Elsa Pataky, Joaquim de Almeida Directed by: Justin LinGet ready for “five times the action, excitement and fun” (Shawn Edwards, FOX-TV) as Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto (Diesel) partners with former cop Brian O'Conner (Walker) on the opposite side of the law in exotic Rio de Janeiro, Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed (Dwayne Johnson) and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race, they must pull off one last job - an in! sane heist worth $100 million.More is less is generally the ca! se with blockbuster sequels these days, with budgetary bloat often overshadowing the qualities that made the original film click with audiences. The Fast and the Furious movies, however, somehow manage to spin doughnuts around this concept of diminishing returns, with each installment becoming more ridiculously entertaining. Fast Five may be the most overblown entry in the series to date (which is saying quite a bit), but there's a dunderheaded earnestness to it that's hard to resist. This time around, Vin Diesel and Paul Walker and Co. go for an Ocean's 11 vibe--swapping out the Armani and martinis for Ed Hardy and Muscle Milk--as the gang go on the lam in Rio following a botched train heist. On the lookout for one final big score, they set their sights on bankrupting the local kingpin (an admirably straight-faced Joaquim de Almeida), calling in seemingly every character in the mythos for help. Stuff goes vroom and boom in mass quantities. Perhaps realizing tha! t the formula may be in danger of reaching its shelf date, returning director Justin Lin here livens things up by bringing in Dwayne Johnson as a federal agent with a fearsome grudge. When he and Diesel eventually throw down, the building-busting destruction recalls the immortal War of the Gargantuas. Viewers in the mood for a little logic with their explosions may initially scoff, but by the time the final chase scene rolls around (an outrageously sustained kinetic set piece that would make Wile E. Coyote proud) it's tough to keep back the grins. Heaven only knows what the next sequel will bring (Send them back to colonial times? A race against Cthulhu in outer space? Pit them against Dick Dastardly and Muttley?), but there's every confidence that these folks will somehow pull it off. --Andrew WrightVin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! When fugitive Dominic! Toretto (Diesel) returns to Los Angeles to avenge a loved one! ’s dea th, it reignites his feud with agent Brian O’Conner (Walker). But, as they race through crowded city streets and across international lines, they must test their loyalties by joining together to bring down a shared enemy. From big rig heists to precision tunnel crawls, Fast & Furious takes you back into the high-octane world, which lives for speed, drives for the rush and breaks all the rules!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hijacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return t! o Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & Furious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the block, it goes out a winner. --Donald Liebenson

Stills from Fast & Furious (Click for larger image) Vin Diesel and Paul Walker reteam with Michelle Rodriguez and Jordana Brewster for the ultimate chapter of the franchise built on speed! From big rig heists to precision tunnel crawls, Fast & Furious takes you back into the high-octane world to race through crowded city streets and across international lines!Fast & Furious is high octane torque-er porn that puts the franchise back on course after drifting in Tokyo. With the original cast once again in the driver's seat, we are good to go with a this-time-it's-personal plot and spectacular race and chase set-pieces that exceed the promise of the stripped-down title, beginning with an awesome highway hi! jacking of an oil truck led by former street racer Dom Toretto (Vin Diesel, at his glowering and gravel-voiced best). Dom is a fugitive in the Dominican Republic, but after a devastating personal loss, he is driven by revenge to return to Los Angeles to bring down an elusive drug smuggler. He is reunited with Brian O'Connor (Paul Walker), the undercover FBI agent who let him go eight years earlier. Brian, also on the case, must come to terms with Dom and make amends with Dom's sister (Jordana Brewster), whom he betrayed in his original pursuit of Dom. Fast & Furious is just the ticket for putting your mind on cruise control. From a see-what-you've-got racing challenge through the streets of L.A. to the illicit kicks of the street-racing subculture (this is extreme PG-13), there is nothing cheap about these thrills. A record-shattering opening weekend at the box office could mean faster and more furious action to come, but if this is the franchise's last time around the bloc! k, it goes out a winner. --Donald Liebenson
Stills from Fast & Furious (Click for larger image)

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Tom Clancy's Splinter Cell Conviction

• A unique co-op mode known as "Prologue" featuring an exclusive story mode full of new characters, settings, four exclusive maps and more. It is only available within Conviction's Co-op mode.
• A full arsenal of cutting-edge technologies like the Last Known Position system, that allows you to outflank foes and set traps, and the Mark and Execute feature that allows you to tag enemies and environments for elimination.
• A unique storytelling style that keeps you on the edge of your seat as you navigate the explosive world of a renegade agent where trust is impossible and justice requires you to go above the law.
• A revolutionary new graphic direction delivering an utterly seamless gameplay experience that?ll keep you totally engrossed in the story of Sam Fisher.
• Xbox LIVE support made up of addictive multiplayer modes, content downloads, messaging and voice support and mor! e designed to amp up the dramatic intensity like never before.

Two-time Academy Award® winner Hilary Swank and Sam Rockwell deliver unforgettable performances in this incredible true story that co-stars Minnie Driver, Juliette Lewis and Peter Gallagher. Swank plays Betty Anne Waters, a young woman whose world is shattered when her beloved brother Kenny (Rockwell) is convicted of murder and sentenced to life in prison. Steadfastly convinced of his innocence, Betty Anne embarks on an 18-year journey to set Kenny free, using state-of-the-art forensic technology. The unshakable bond between a brother and sister, at the heart of this real-life drama, will stir your emotions and inspire you. Hilary Swank gives another tremendous performance--steely, determined, vulnerable--in the courtroom/family drama Conviction. The film is based on a real case, of Betty Anne Waters (Swank), who as a last resort puts herself through law school to take on the case of her brother! , Kenny (Sam Rockwell, also outstanding). Kenny is convicted o! f murder , despite a weak prosecution case, but Betty Anne can't get any lawyer to explore a retrial or appeal. Director Tony Goldwyn (Dexter, Damages) keeps the action moving along crisply and believably, even during the almost interminable stretches of Kenny's imprisonment. The terrific script by Pamela Gray (Music of the Heart) weaves in occasional shadows of doubt about whether Kenny is actually innocent, so that a story that could be formulaic is anything but. The viewer isn't sure most of the way through Conviction if Kenny is guilty or not--but is completely swept up in Swank's incredible performance depicting Betty Anne's own conviction--that "you do anything for your family. Period." As she did in Boys Don't Cry, Swank puts her own gritty spin on a real-life character, whom she inhabits like a second skin. Her Betty Anne is a blue-collar pit bull, and her sheer determination is itself a force of nature. The supporting cast of Conv! iction also shines, including Minnie Driver as Betty Anne's law school pal, and an especially effective Juliette Lewis playing Kenny's broken-down ex-girlfriend, who's buried some secrets of her own. Also a standout is Melissa Leo as the policewoman whose initial arrest of Kenny might have been loaded with her own agenda. The chemistry, especially between Rockwell, a man very nearly defeated after years behind bars, and Swank, is palpable and will capture the viewer in intense dramatic territory that won't be soon forgotten. --A.T. HurleyTwo-time Academy Award® winner Hilary Swank and Sam Rockwell deliver unforgettable performances in this incredible true story that co-stars Minnie Driver, Juliette Lewis and Peter Gallagher. Swank plays Betty Anne Waters, a young woman whose world is shattered when her beloved brother Kenny (Rockwell) is convicted of murder and sentenced to life in prison. Steadfastly convinced of his innocence, Betty Anne embarks on an 18-year ! journey to set Kenny free, using state-of-the-art forensic tec! hnology. The unshakable bond between a brother and sister, at the heart of this real-life drama, will stir your emotions and inspire you. Hilary Swank gives another tremendous performance--steely, determined, vulnerable--in the courtroom/family drama Conviction. The film is based on a real case, of Betty Anne Waters (Swank), who as a last resort puts herself through law school to take on the case of her brother, Kenny (Sam Rockwell, also outstanding). Kenny is convicted of murder, despite a weak prosecution case, but Betty Anne can't get any lawyer to explore a retrial or appeal. Director Tony Goldwyn (Dexter, Damages) keeps the action moving along crisply and believably, even during the almost interminable stretches of Kenny's imprisonment. The terrific script by Pamela Gray (Music of the Heart) weaves in occasional shadows of doubt about whether Kenny is actually innocent, so that a story that could be formulaic is anything but. The viewer isn't sure mo! st of the way through Conviction if Kenny is guilty or not--but is completely swept up in Swank's incredible performance depicting Betty Anne's own conviction--that "you do anything for your family. Period." As she did in Boys Don't Cry, Swank puts her own gritty spin on a real-life character, whom she inhabits like a second skin. Her Betty Anne is a blue-collar pit bull, and her sheer determination is itself a force of nature. The supporting cast of Conviction also shines, including Minnie Driver as Betty Anne's law school pal, and an especially effective Juliette Lewis playing Kenny's broken-down ex-girlfriend, who's buried some secrets of her own. Also a standout is Melissa Leo as the policewoman whose initial arrest of Kenny might have been loaded with her own agenda. The chemistry, especially between Rockwell, a man very nearly defeated after years behind bars, and Swank, is palpable and will capture the viewer in intense dramatic territory ! that won't be soon forgotten. --A.T. Hurley They’r! e young. They’re in over their heads.
They wouldn’t have it any other way.

In the cutthroat New York judicial system, if you’re intelligent, ambitious and new, there’s only one way to get things done â€" with Conviction. Get ready for all 13 gripping episodes of The Complete Series from award-winning creator Dick Wolf (Law & Order). When five young assistant district attorneys enter the world of public justice, they struggle to make sense of their challenging caseloads and equally provocative personal lives. Under the leadership of bureau chief Alex Cabot (Stephanie March, Law & Order: SVU), these rookie prosecutors are about to get a crash course in love, life and the law. Also starring Eric Balfour, J. August Richards, Anson Mount, Jordan Bridges, Julianne Nicholson and Milena Govich.Created by Dick Wolf, the seemingly unstoppable mastermind behind the Law & Order franchise, Conviction tells the stories of a group of young, driven, and g! enetically gifted prosecutors working for the New York District Attorney's office, which is led by Alexandra Cabot (Stephanie March). Cabot was last seen as a young gun assistant district attorney herself on Law & Order: Special Victims Unit. There she was a crusading and idealistic lawyer fighting to buck a corrupt system. But on Conviction, her character has turned into the type of bureaucrat she used to despise--one who thinks more about the bottom line than the true meaning of justice. Though she obviously still has feelings for her underling and former beau Jim Steele (Anson Mount), she becomes engaged to a well-connected man (the day after she and Steele have a one-night stand).

The series, which was canceled after its first season in 2006, has a more soap opera feel than Wolf's other shows. While the meat of the 13 episodes is in their fight to lock up rapists and murderers, the heart of the show lies in the private lives of the young attorneys. St! eele has a "just sex" relationship with Jessica Rossi (Milena ! Govich), a promising young lawyer who butts heads with him at work. Nick Potter (played by Beau Bridges' son, Jordan) left a six-figure salary at a private law firm to work for the people. Billy Desmond (J. August Richards), who hasn't lost a case, finds himself falling for a mess of a girl despite himself. And ladies man Brian Peluso (Eric Balfour) and wide-eyed cutie Christina Finn (Julianne Nicholson) find it easier to play verbal footsie than admit their feelings for each other.

Though the dramatic content isn't lacking, there are some moments where even suspending your belief in reality really doesn't help much. In one episode, a murderer takes some of the attorneys hostage in a courtroom. Demanding respect, he refuses to answer their questions unless they address him in legalese. It's almost laughable watching the supposedly terrified lawyers popping up and down to address him as "your honor." In another scene, Finn warns another gunman--who has already killed another hosta! ge--that the police may be trying to trick him. But overall, the series has a nice rhythm that could've carried over for another solid season or two. NBC was quick to ax the drama, just as it did with Wolf's 2005 series Law & Order: Trial by Jury. It's too bad because Conviction--which could've been retitled Law & Order: The Wonder Years--showed a lot of promise. --Jae-Ha KimCONVICTION - DVD Movie

Tom Clancy's Splinter Cell: Conviction is the fifth installment in the wildly popular Splinter Cell series. A stealth-action combat game centered around the continuing adventures of black ops agent Sam Fisher, Splinter Cell: Conviction continues where the storyline of the earlier Splinter Cell: Double Agent left off. Packed with a mix of an engaging story, classic Splinter Cell stealth action, unique co-op gameplay and new gameplay mechanisms that are applicabl! e to both single player and multiplayer modes, it is a worthy ! addition Splinter Cell catalog of games. The return of Sam Fisher. View larger. Unique co-op gameplay and campaign. View larger. Jaw dropping visuals. View larger. All-new combat functionality. View larger. Story A few years have passed since the cliff hanger conclusion of Tom Clancy's Splinter Cell: Double Agent, in which Agent Sam! Fisher undertook a particularly dirty mission, full of questionable actions, in the shadow of the inexplicable and unmourned death of his daughter. Fisher is now a renegade operative digging into the events of the past and he doesn't like what he has found. His personal investigation into his daughter's death reveals that he's been betrayed by his former agency, the Third Echelon. The agency responds by pursuing him, but as he works to elude them he becomes aware of a deadly terrorist plot that threatens millions. He is uniquely positioned and prepared to act against this, but success is doubtful without the help of former friends from the Third Echelon team, resulting in a series of life and death situations for himself and the country where trust can by no means be assumed. Gameplay Tom Clancy's Splinter Cell: Conviction, as with all games in the Splinter Cell series, is a tactical stealth-action game. In single player modes players take on! the role of Sam Fisher and engage in a series of missions uti! lizing h igh-tech weaponry, gadgets, lethal hand-to-hand combat and interrogation skills. Overall objectives and the necessary steps to achieve them are challenging, yet always clear via dual verbal and visual expression that seamlessly alerts players as they progress through missions. In addition, Conviction enhances the world of stealth combat that has made the Splinter Cell franchise a runaway hit for years through a series of revolutionary new gameplay features. These include: Mark and Execute - A gameplay mechanism for eliminating several enemies at once, Mark and Execute allows players to "Mark" multiple enemies, or points in the surrounding environment for termination in batches. Once this is done, a close-combat kill is required, after which the player can activate the "Execute" portion of the mechanism to dispose of all enemies in a cinematic manner. A limited amount of Mark functionality is attached to players' weapons, so this ability must be ! used wisely. Last Known Position - Last Known Position is a visual representation of where the game's AI assumes you are, based on where you were last sighted. This provides players with a wide array of options, including setting traps for enemies, flanking maneuvers or simply disappearing while you are thought to be elsewhere. Experience System - Successful completion of objectives via the Persistent Elite Creation System earns players rewards in the form of experience points. These can be used to upgrade weapons and gadgets that will allow for cleaner, quieter and more deadly attacks. Co-op Story Mode Prologue, the co-op story mode included in Splinter Cell: Conviction is available either in split-screen local play or via Xbox LIVE. Prologue offers an exclusive prequel campaign to that found in single player mode and features new characters and settings, three difficulty settings, three sub game modes and four ! maps. Designed to stand apart from, as well as supplement the ! single p layer campaign, gameplay mechanics available within it include shareable Mark and Execute target points and Last Known Position, as well as teammate revival functionality via a portable defibrillator, the ability to work with a teammate to eliminate enemies who have captured you, and more. Key Game Features A New Level of Splinter Cell Action - A full arsenal of cutting-edge innovations allow you to outflank foes with the Last Known Position system, tag and eliminate enemies using the Mark and Execute feature, and much more. Blockbuster Experience - A unique storytelling style keeps you on the edge of your seat as you navigate the explosive world of a renegade agent where trust is impossible and justice requires you to go above the law. Jaw Dropping Visuals - A revolutionary new graphic direction delivers an utterly seamless gameplay experience that’ll keep you totally engrossed in the story of Sam Fisher. Explosive Xbox LIVE Play - Addictive multiplayer modes, content downloads, messaging and voice support and more amp up the dramatic intensity like never before. An Exclusive Co-op Story Mode - "Prologue" is an exclusive story mode featuring new characters, settings, four exclusive maps and more. It is only available within Conviction's Co-op mode.

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Dr. T and the Women

• 100% pre-shrunk cotton
• Wash warm; dry low
• Imported
• Listed in junior sizes
• By Ripple Junction

Dr. Sullivan Travis, a successful Dallas gynecologist, finds his life disrupted by the women in his life; his wife suffers a nervous breakdown, his eldest daughter plans to marry despite being a lesbian, his youngest daughter is a conspiracy freak, his se
Genre: Feature Film-Comedy
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Ka! te Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere pe! rfectly captures this sweet yet condescending blind spot. -! -Bruce R eidIn director Robert Altman's star-studded new ensemble comedy, Richard Gere is a frantically overworked, socially in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a childlike state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, ! his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarel! y on his own inability to see that women don't need his gentee! l protec tion, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's char! ming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidIn director Robert Altman's star-studded new ensemble comedy, Richard Gere is a frantically overworked, socially-in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett has regressed into a child-like state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) Arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!This fitted tee features the one and only Dr. Frank-N-Furter from The Rocky Horror Picture Show.

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Nikon HB-34 Lens Hood for 55-200mm DX Nikkor Lens

• Lens hood, Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens
• Deflects oblique light angles that often cause flare effects
• Helps protect front of the lens scratches and dings while shooting

Andie MacDowell (FOUR WEDDINGS AND A FUNERAL) stars in the compelling story of one woman's determination to find her husband Harrison (David Strathairn, L.A. CONFIDENTIAL), a Pulitzer Prize-winning photojournalist. He is reported as missing while on a dangerous assignment covering a war in a foreign country. When Harrison is presumed dead by his colleagues and editor, only Sarah believes that he is still alive. Driven by intense passion she courageously plunges into a land ravaged by war, risking her own life as she engages in a relentless search to find him.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cos! t of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerAn implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie Ma! cDowell stars as Sarah Lloyd, the wife of a photojournalist r! eported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerWith a seductive painting style described as "realism with a soul," Susan Harrison-Tustain casts new light on a favourite subject among watercolourists. She captures the "essence" of her flowers in their natural settings, co! mplete with bumblebees, dew drops, and other whimsical touches of life. Artists will learn her unique priming method, along with other techniques for creating vibrant colours, realistic textures and lively light. There are three complete step-by-step painting demonstrations and 14 mini-demos.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war! itself is stunning, and the depiction of the lives of photoj! ournalis ts--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerNo Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 25-MAR-2003For 55-200mm Zoom Nikkor Lens, Lens hood Designed for the Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor zoom lens Deflects oblique light angles that often cause flare effects Helps protect front of the lens scratches and dings while shooting
!

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