Good Dick

• GOOD DICK (DVD MOVIE)

An eccentric and troubled young woman spends her days watching porn in the claustrophobic world of her apartment. An eccentric and troubled young man spends his days cataloguing films and serving her in a claustrophobic video store, before spending his nights sleeping in his car. The harder he tries to give himself to her the more she pushes him away. The farther away he goes, the closer she needs him to be. This impossible situation escalates and threatens to become combustible, just as it starts to become calm.

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Dr. T and the Women

• 100% pre-shrunk cotton
• Wash warm; dry low
• Imported
• Listed in junior sizes
• By Ripple Junction

Dr. Sullivan Travis, a successful Dallas gynecologist, finds his life disrupted by the women in his life; his wife suffers a nervous breakdown, his eldest daughter plans to marry despite being a lesbian, his youngest daughter is a conspiracy freak, his se
Genre: Feature Film-Comedy
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Ka! te Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere pe! rfectly captures this sweet yet condescending blind spot. -! -Bruce R eidIn director Robert Altman's star-studded new ensemble comedy, Richard Gere is a frantically overworked, socially in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a childlike state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, ! his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarel! y on his own inability to see that women don't need his gentee! l protec tion, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidThis fitted tee features the one and only Dr. Frank-N-Furter from The Rocky Horror Picture Show.

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Femme Fatale

• Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge.Running Time: 115 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 085392446124 UPC: 085392446124 Manufac

Britney Spears announces her seventh studio album is titled Femme Fatale. The iconic global superstar’s title Femme Fatale is a tribute to bold, empowered, confident, elusive, fun, flirty women and men. It’s not a conceptual album, Spears is letting the music speak for itself. She’s worked hard on it for two years and she considers it to be her “best album to date,” true to where she is now personally and professionally. Femme Fatale (Jive Records) is executive produced by Max Martin and Dr. Luke. Few artists ha! ve earned the distinction of having five No.1 debut albums, and 24 Top 40 hits. She most recently set a new one-day precedent for single sales with her current No. 1 hit song, “Hold It Against Me.”. Jonas Åkerlaund shot the video for the song. Spears is peerless among her contemporaries. Throughout the years, Britney has consistently released hit after hit for over a decade, selling close to 70 million albums cumulatively worldwide. During her 12-year career, Britney has had five albums debut in the No. 1 position on Billboard 's Top 200 Albums chart and she's had 24 Top 40 hits on Billboard’s Mainstream Top 40 chart. Globally, Britney Spears is one of the top-selling artists of the past decade, dominating charts with her albums, selling an astonishing 67 million albums worldwide. Her previous albums include: …Baby One More Time (1999); Oops!... I Did It Again (2000); Britney (2001); In The Zone (2003); Blackout (2007); Circus (2008); and The Singles! Collection (2009). Britney Spears announces her seventh s! tudio al bum is titled Femme Fatale. The iconic global superstar’s title Femme Fatale is a tribute to bold, empowered, confident, elusive, fun, flirty women and men. It’s not a conceptual album, Spears is letting the music speak for itself. She’s worked hard on it for two years and she considers it to be her “best album to date,” true to where she is now personally and professionally. Femme Fatale (Jive Records) is executive produced by Max Martin and Dr. Luke. Few artists have earned the distinction of having five No.1 debut albums, and 24 Top 40 hits. She most recently set a new one-day precedent for single sales with her current No. 1 hit song, “Hold It Against Me.”. Jonas Åkerlaund shot the video for the song. Spears is peerless among her contemporaries. Throughout the years, Britney has consistently released hit after hit for over a decade, selling close to 70 million albums cumulatively worldwide. During her 12-year career, Britney has had five alb! ums debut in the No. 1 position on Billboard 's Top 200 Albums chart and she's had 24 Top 40 hits on Billboard’s Mainstream Top 40 chart. Globally, Britney Spears is one of the top-selling artists of the past decade, dominating charts with her albums, selling an astonishing 67 million albums worldwide. Her previous albums include: …Baby One More Time (1999); Oops!... I Did It Again (2000); Britney (2001); In The Zone (2003); Blackout (2007); Circus (2008); and The Singles Collection (2009). Femme Fatale is a contemporary film noir about an alluring seductress (Rebecca Romijn-Stamos) suddenly exposed to the world -- and her enemies -- by a voyeuristic photographer (Antonio Banderas) who becomes ensnared in her surreal quest for revenge. The sheer pleasure of watching movies is celebrated in Brian De Palma's dazzling Femme Fatale. Working from his own intricate screenplay, De Palma indulges all of his trademark obsessions, upping the ante on Hitchcock (ag! ain) with a Vertigo-like plot that begins with an audac! ious hei st at the Cannes film festival (another sexy, violent tour de force for De Palma). From there, the stunning thief Laure (Rebecca Romijn-Stamos) assumes a new identity, marries a U.S. senator (Peter Coyote), and returns to Paris where a tenacious paparazzo (Antonio Banderas) becomes a patsy in her multilayered scheme. De Palma's weaving a web of nonsense, but his plotting is so exuberantly absurd--and his frame so full of visual clues and relevant detail--that Femme Fatale becomes a joyous thrill ride at first encounter, and a crazily logical (and grandly rewarding) movie on subsequent viewings. In her best role to date, Romijn-Stamos is everything you'd want a femme fatale to be, in a thriller that constantly challenges you to question what you're seeing. --Jeff Shannon

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Black Irish

• ISBN13: 9780595430802
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

West Belfast, Northern Ireland, 1981. Tensions between Catholics and Protestants have never been higher. The IRA Hunger Strikes are in full swing, and violence continues to spread in Belfast. While working in their parents’ grocery store, two young Catholic twins, Vincent and Michael Logan, witness their father’s brutal murder by British commandos.

This horrific crime sends the twins on radically opposing paths.

As they reach adulthood, Vincent embarks on a journey for justice and becomes a cop. Michael, still simmering over his father’s murder, is out for revenge and soon becomes the IRA’s most feared assassin. When Michael discovers that his father’s killer has! just become the most powerful man in Europe, he plots his revenge. But there’s one man standing in his way, one he used to call brother …

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Enemy At the Gates : Widescreen Edition

• Widescreen

BASED ON THE TRUE STORY OF WORLD WAR II RUSSIAN HERO VASSILI ZAITSEV, WHOSE FAME THRUST HIM INTO A PERSONAL WAR WITH THE NAZIS' BEST SHARPSHOOTER.Like Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed ! Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet officer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon
Genre: Action/Adventure
R! ating: R
Release Date: 19-MAY-2009
Media T! ype: Blu-RayLike Saving Private Ryan, Enemy at the Gates opens with a pivotal event of World War II--the German invasion of Stalingrad--re-created in epic scale, as ill-trained Russian soldiers face German attack or punitive execution if they flee from the enemy's advance. Director Jean-Jacques Annaud captures this madness with urgent authenticity, creating a massive context for a more intimate battle waged amid the city's ruins. Embellished from its basis in fact, the story shifts to an intense cat-and-mouse game between a Russian shepherd raised to iconic fame and a German marksman whose skill is unmatched in its lethal precision. Vassily Zaitzev (Jude Law) has been sniping Nazis one bullet at a time, while the German Major Konig (Ed Harris) has been assigned to kill Vassily and spare Hitler from further embarrassment.

There's love in war as Vassily connects with a woman soldier (Rachel Weisz), but she is also loved by Danilov (Joseph Fiennes), the Soviet off! icer who promotes his friend Vassily as Russia's much-needed hero. This romantic rivalry lends marginal interest to the central plot, but it's not enough to make this a classic war film. Instead it's a taut, well-made suspense thriller isolated within an epic battle, and although Annaud and cowriter Alain Godard (drawing from William Craig's book and David L. Robbins's novel The War of the Rats) fail to connect the parallel plots with any lasting impact, the production is never less than impressive. Highly conventional but handled with intelligence and superior craftsmanship, this is warfare as strategic entertainment, without compromising warfare as a manmade hell on Earth. --Jeff Shannon Studio: Paramount Home Video Release Date: 08/02/2011 Rating: RDVD

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First Kid

• Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach

Sinbad plays wisecracking Secret Service agent Sam Simms, assigned to protect the President's rebellious 14-year-old son Luke (THE MIGHTY DUCKS' Brock Pierce). Simms would much rather be protecting the President, and Luke would prefer to be just a regular kid without a watchdog trailing him everywhere he goes. But a genuine friendship develops between the two when Simms volunteers to teach Luke how to deal with a school bully (HOME IMPROVEMENT'S Zachery Ty Bryan), and to untie his tongue so that he can win ! over a cute girl in class. But when Luke's mysterious Internet buddy convinces him to ditch his bodyguard in a crowded mall, the fun and games suddenly become a matter of life and death! The votes are in from both audiences and critics -- "Sinbad is hilarious" (KNX Radio/CBS Radio) in this "laugh-a-minute" comedy (Sneak Previews).An underrated actor, Sinbad is very good in this comedy-drama about a Secret Service agent who gets the thankless detail of guarding the president's bratty son. In time, the two become touchingly close, with Sinbad's character providing the kind of surrogate fathering the boy's ultra-busy dad can't give. The plot takes an inevitable turn toward greater drama when the young man is kidnapped, but director David Mickey Evans handles the whole thing very well, and the resolution makes for fairly satisfying action. But Sinbad's presence is an agreeably warm one--though he is also quite funny and original in early sequences when the prez's son is torment! ing him--and makes this film surprisingly watchable. --Tom! Keogh

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Swiss Gear Ibex 17-Inch Notebook Backpack

• Comp-u-Flex computer pocket keeps your 17-inch widescreen snugly protected; Three main compartments provide space for all of your belongings
• Air-Flow Back Padding: Air-Flow Back padding keeps your back cool even with a full pack
• Shock Absorbing Shoulder Straps: Shock Absorb Shoulder straps distribute weight evenly and keep you comfortable
• Quik Pocket: Quik Pocket holds iPod/MP3 player for easy access to all of your gadgets; iPod/MP3 Player Pocket
• Essentials Organizer in front pocket has pockets and slot for all of your accessories and gadgets; Quik-Access Phone Pocket
• Comp-u-Flex computer pocket keeps your 17-inch widescreen snugly protected, three main compartments provide space for all of your belongings
• Essentials Organizer in front pocket has pockets and slot for all of your accessories and gadgets
• Quik Pocket holds iPod/MP3 player for easy a! ccess to all of your gadgets; iPod/MP3 Player Pocket

‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Columbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those Indians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, prohibited from collecting even the rain.
As Sebastián and Costa struggle with their film, the viol! ence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern army. David against Goliath once again. Only this time they fight not about gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Borders Award, Palm Springs International Film Festival
Four Progressive Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Col! umbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those Indians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, prohibited from collecting even the rain.

As Sebastián and Costa struggle with their film, the violence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern ar! my. David against Goliath once again. Only this time they figh! t not ab out gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Borders Award, Palm Springs International Film Festival
Four Progressive Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
The IBEX Computer Backpack from Swiss Gear Wenger combines functionality and portability allowing you to carry your laptop with style. It features air-flow back padding and extra durable material on bottom to protect your laptop from accidental scratches. With quick pocket and removable accessory pouch, you can be rest assured that your trip will be an organized one. Fits Widescreen laptops of Screen Size Up to 17-inch.

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Cradle Will Rock

• As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w

Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker

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Attwood Braided Polypropylene General Purpose Rope

• Floating line
• Great for miscellaneous uses around the water
• Assorted Neon Colors

JACKIE ISN'T FIGHTING FOR GLORY. SHE'S FIGHTING FOR RESPECT.INSPIRED BY A TRUE STORY, JACKIE IS A SASSY, BRASSY BOXINGMANAGER-IN-THE-MAKING DETERMINED TO CHANGE 'LETHAL' LUTHER SHAW FROM A MERE STREET PUNK INTO A WORLD CLASS PRIZEFIGHTER.The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Rya! n, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff ShannonThe "Rocky" formula nearly wears out its welcome in "Against the Ropes", a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's "The Corner") has strictly played it safe, delivering a foregone conclus! ion almost from the very first scene. Burdened with a by-the-n! umbers s creenplay by Cheryl Edwards ("Save the Last Dance"), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. "--Jeff Shannon"The Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutto! n (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talent, and a once-legendary trainer (played by director Dutton) coaxed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff Shannon

Wrestling the Hulk

How many people can say they stood up against wrestler Hulk Hoga! n and came out victorious? Linda Hogan did just that. After tw! enty-fou r years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happiness in a new relationship with a younger man, proving that it’s never too late to start over.

Wrestling the Hulk

How many people can say th! ey stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happiness in a new relationship with a younger man, provi! ng that it’s never too late to start over.

Wrestlin! g the Hu lk

How many people can say they stood up against wrestler Hulk Hogan and came out victorious? Linda Hogan did just that. After twenty-four years of dealing with his cheating, mistreatment, and lies, Linda needed to step out of her marriage ring and start a new life.

In Wrestling the Hulk, the woman who was loved by television audiences for being the supportive wife and mother on VH1’s hit show Hogan Knows Best is now revealing for the first time what life with the wrestling icon was really like behind the scenes. Linda takes readers through some of her most personal moments: from her first intimate experiences with Terry Bollea (aka Hulk Hogan) to their ringside courtship, from helping him launch a successful career and start a family to the crumbling of their marriage because of infidelity.

After two decades of being “Mrs. Hulk Hogan,” Linda finally summoned the courage to move on and love her life. She has found happiness in a new ! relationship with a younger man, proving that it’s never too late to start over.

AGAINST THE ROPES/NECESSARY ROUGHNESS - DVD MovieThe Rocky formula nearly wears out its welcome in Against the Ropes, a highly fictionalized feel-good drama based on the life of pioneering female boxing promoter Jackie Kallen. In an egregious effort to distill the essence of Kallen's achievement, director Charles S. Dutton (who fared better with HBO's The Corner) has strictly played it safe, delivering a foregone conclusion almost from the very first scene. Burdened with a by-the-numbers screenplay by Cheryl Edwards (Save the Last Dance), the film gets a much-needed boost from Meg Ryan, playing Kallen as a brassy, smoky-voiced dynamo, rising to the challenge when a rival promoter (played with fierce bravado by Tony Shalhoub) dares her to play hardball in a male-dominated sport. Jackie's trump cards are Luther (Omar Epps), a promising contender with untried talen! t, and a once-legendary trainer (played by director Dutton) co! axed out of retirement to guide Luther to the middleweight championship. No surprises here, just a handful of energetic performances, an abundance of raw ambition, obligatory setbacks, and the nagging feeling that you've seen it all before. --Jeff Shannon1/8 x 45-Feet, Diamond Braided Cordage, Multiple Colors

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