Wednesday, January 18, 2012

South Bend Catfish Hook Assortment (Assorted)

  • 36 Hooks
  • Perfect for Catfishing
  • High Quality
  • Assorted Sizes and Styles
In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance with Abby's older sister Megan… and that this romance, conducted over the phone and the In! ternet, will lead to something far more troubling. It would be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2011 Run time: 88 minutes Rating: Pg13The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't r! ealize this is going to lead to a long-distance romance with A! bby's ol der sister Megan… and that this romance, conducted over the phone and the Internet, will lead to something far more troubling. It would be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerWelcome to the real world of catfishing. We'd all love to catch a 20 plus cat but what we really want is more of those bread and butter fish that we're usually after. By following the information you'll find in Classic Catfish you'll be catching more catfish, a! lot more catfish, every time out.
For years, catfish have taken a backseat to more glamorous species like largemouth bass and walleyes. But times have changed. Today, nearly 10 million anglers wet a line hoping to do battle with a monster cat. Learn how to catch bigger catfish than ever before.

This book is a comprehensive look at the world of catfish. Beginning with the biology of catfish, Author Keith Sutton then follows with the where-to and how-to information that will lead to successful fishing. Beyond locating fish and rig & tackle techniques, there's even a section on cleaning and cooking your catfish.

This 36-piece assortment includes the perfect style and size hooks for Catfishing. Includes selection of bronze baitholder and do-bait treble hooks. Packaged on individual display cards.

Tuesday, January 17, 2012

Flightplan (Widescreen Edition)

  • DVD Details: Actors: Jodie Foster, Peter Sarsgaard, Sean Bean, Robert Schwentke, Alec Hammond
  • Directors: Robert Schwentke, Karen Inwood Somers
  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Buena Vista Home Entertainment / Touchstone
  • DVD Release Date: January 24, 2006; Run Time: 98 minutes
Academy Award(R) winner Jodie Foster (Best Actress, THE SILENCE OF THE LAMBS, 1991) gives an outstanding performance in the heart-pumping action thriller FLIGHTPLAN. Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's (Foster) 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter! . From the producer of APOLLO 13 and A BEAUTIFUL MIND, FLIGHTPLAN is an intense, suspense-filled thriller that will keep you on the edge of your seat the entire flight.Like a lot of stylishly persuasive thrillers, Flightplan is more fun to watch than it is to think about. There's much to admire in this hermetically sealed mystery, in which a propulsion engineer and grieving widow (Jodie Foster) takes her 6-year-old daughter (and a coffin containing her husband's body) on a transatlantic flight aboard a brand-new jumbo jet she helped design, and faces a mother's worst nightmare when her daughter (Marlene Lawston) goes missing. But how can that be? Is she delusional? Are the flight crew, the captain (Sean Bean) and a seemingly sympathetic sky marshal (Peter Sarsgaard) playing out some kind of conspiratorial abduction? In making his first English-language feature, German director Robert Schwentke milks the mother's dilemma for all it's worth, and Foster's intense yet su! btly nuanced performance (which builds on a fair amount of pos! t-9/11 p aranoia) encompasses all the shifting emotions required to grab and hold your attention. Alas, this upgraded riff on Hitchcock's The Lady Vanishes (not to mention Otto Preminger's Bunny Lake is Missing) is ultimately too preposterous to hold itself together. Flightplan gives us a dazzling tour of the jumbo jet's high-tech innards, and its suspense is intelligently maintained all the way through to a cathartic conclusion, but the plot-heavy mechanics break down under scrutiny. Your best bet is to fasten your seatbelt and enjoy the thrills on a purely emotional level -- a strategy that worked equally well with Panic Room, Foster's previous thriller about a mother and daughter in peril. --Jeff Shannon

Being John Malkovich

  • Special Edition
  • 3 Academy Award Nominations
CRAIG, A STRUGGLING PUPPETEER ACCIDENTALLY DISCOVERS A PORTAL LEADING INTO THE BRAIN OF JOHN MALKOVICH. FOR 15 MINUTES, HEEXPERIENCES THE ULTIMATE HEAD TRIP-HE IS JOHN MALKOVICH! THEN HE IS DUMPED ONTO THE NEW JERSEY TURNPIKE!While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discov! ers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff ShannonWhile too many movies suffer the fate of creative b! ankruptcy, "Being John Malkovich" is a refreshing study in con! trast, s o bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in a movie that dares to ponder the existential dilemma of a forlorn puppeteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.\n The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you'v! e got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pi?®ce de r?©sistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, "Being John Malkovich" is a wild place to visit. "--Jeff Shannon"While too many movies suffer the fate of creative bankruptcy,Being John Malkovich is a refreshing study in contrast, so bracingly original that you'll want to send director Spike Jonze and screenwriter Charlie Kaufman a thank-you note for restoring your faith in the enchantment of film. Even if it ultimately serves little purpose beyond the thrill of comedic invention, this demented romance is gloriously entertaining, spilling over with ideas that tickle the brain and even touch the heart. That's to be expected in ! a movie that dares to ponder the existential dilemma of a forl! orn pupp eteer (John Cusack) who discovers a metaphysical portal into the brain of actor John Malkovich.

The puppeteer's working as a file clerk on the seventh-and-a-half floor of a Manhattan office building; this idea alone might serve as the comedic basis for an entire film, but Jonze and Kaufman are just getting started. Add a devious coworker (Catherine Keener), Cusack's dowdy wife (a barely recognizable Cameron Diaz), and a business scheme to capitalize on the thrill of being John Malkovich, and you've got a movie that just gets crazier as it plays by its own outrageous rules. Malkovich himself is the film's pièce de résistance, riffing on his own persona with obvious delight and--when he enters his own brain via the portal--appearing with multiple versions of himself in a tour-de-force use of digital trickery. Does it add up to much? Not really. But for 112 liberating minutes, Being John Malkovich is a wild place to visit. --Jeff Shannon

Monday, January 16, 2012

Grand Theft Auto IV [Download]

  • Carry on the Grand Theft Auto tradition playing through the single player campaign as Niko Bellic
  • Get cars and other modes of transportation anyway you can
  • Interact with various colorful characters who give you various missions to engage in
  • Engage in multiplayer challenges ranging from cover matches to shoot-outs
What does the American Dream mean today? For Niko Bellic, fresh off the boat from Europe, it is the hope he can escape his past. For his cousin, Roman, it is the vision that together they can find fortune in Liberty City, gateway to the land of opportunity. As they slip into debt and are dragged into a criminal underworld by a series of shysters, thieves and sociopaths, they discover that the reality is very different from the dream in a city that worships money and status, and is heaven for those who have them and a living nightmare for those who don't.
!

Good Bye, Lenin! [Russian, German][PAL][REGION 5][IMPORT]

  • DVD
  • PAL
  • Import
Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile heal! th must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks,! so Alex creates an illusive reality around his bedridden moth! er to co nvince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism ! is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good b! ye, Lenin! delicately balances wry satire with its rich in! vestment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerEast Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot...

Saturday, January 14, 2012

The Goonies

  • Following a mysterious treasure map into a spectacular underground realm of twisting passages, outrageous booby-traps and a long-lost pirate ship full of golden dubloons, the kids race to stay one step ahead of a family of bumbling bad guys. and a mild-mannered monster with a face only a mother could love. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG Age: 085391163
Brand New Paperback published by Warner Books, 1985, 193 pages. Movie-tie-in paperback (book was purchased in 1985, never read and has sat on my bookshelf since). We ship within 24 hours of your purchase with a Delivery Confirmation.A gang called the Goonies finds a pirate's map that leads to a perilous treasure hunt.Following a mysterious treasure map into a spectacular underground realm of twisting passages, outrageous booby-traps and a long-lost pirate ship full of golden dubloons, the kids race to stay one step ahead! of a family of bumbling bad guys... and a mild-mannered monster with a face only a mother could love.You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their ! houses, the Goonies embark on their quest through underground ! passages , aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey

Friday, January 13, 2012

Close Your Eyes

  • ISBN13: 9780374313821
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
2011 album from the Texas-based melodic Hardcore band.In Close Your Eyes, the author of the bestselling How to Be Lost spins another mesmerizing tale of buried family secrets.

For most of her life, Lauren Mahdian has been certain of two things: that her mother is dead, and that her father is a murderer.

Before the horrific tragedy, Lauren led a sheltered life in a wealthy corner of America, in a town outside Manhattan on the banks of Long Island Sound, a haven of luxurious homes, manicured lawns, and seemingly perfect families. Here Lauren and her older brother, Alex, thought they were safe.

But one morning, six-year-old Lauren and eight-year-old Alex awoke after a ni! ght spent in their tree house to discover their mother’s body and their beloved father arrested for the murder.

Years later, Lauren is surrounded by uncertainty. Her one constant is Alex, always her protector, still trying to understand the unraveling of his idyllic childhood. But Lauren feels even more alone when Alex reveals that he’s been in contact over the years with their imprisoned fatherâ€"and that he believes he and his sister have yet to learn the full story of their mother’s death.

Then Alex disappears.

As Lauren is forced to peek under the floorboards of her carefully constructed memories, she comes to question the version of her history that she has clung to so fiercely. Lauren’s search for the truth about what happened on that fateful night so many years ago is a riveting tale that will keep readers feverishly turning pages. A Letter from Author Amanda Eyre Ward
I grew up in Rye, New York, a small town outside of New York City. In 1988, I was sixteen years old. I smoked cigarettes in my room, thinking Trident gum would mask the scent. I made a fake ID and laminated it at the library, then used the ID to visit bars in nearby towns: Bumper’s, Streets, Tammany Hall.

On January 1, 1989, my friends and I woke up, heads pounding, in the living room of a stranger’s apartment in Manhattan. We walked to Grand Central and rode the Stamford local back to Rye. By mid-day, we heard that during the midnight hours of New Year’s Eve, there had been a murder in Larchmont, a neighboring town.

An Indian couple, both doctors, had been stabbed to death in their bedroom, throats slashed, their bodies mutilated. It seemed impossible that something like ! this could happen in the suburbs. Fear travelled silently along the Boston Post Road, past Baskin Robbins and the Smoke Shop, to Dogwood Lane, where I lived with my family in a stunningly beautiful home. To me, the message was clear: danger was everywhere.

The murder was not solved. Four-and-a-half years went by. My parents split up, and I went to college. I thought about the murder from time to time, trying to understand how a stranger had broken the spell of Rye, smashed through the safety we had all thought money could buy.

In 1993, we found out that the murderer was one of us, a teenage boy, a local. The son of a bank president. He had been blind drunk, he told a room full of people at an AA meeting. He was afraid he may have broken a door pane, entered his childhood home, where his family no longer lived, taken a knife from a kitchen drawer, and savagely attacked the strangers sleeping in his parents’ bedroom. He later said he didn’t remember anything! about it. He had been in an alcoholic blackout, but now he ha! d nightm ares.

At his trial, a psychiatrist said, "Probably the most typical behavior during a blackout is finding the way home....It's almost as if he were going back in time and eliminating the people that he sought to blame for all his problems back when he was seven years old."

He is now in jail.

The story of the New Year’s Eve murder has always stayed with me, and eventually evolved into Close Your Eyes. I think, in writing the book, I wanted not only to understand what happened to a boy who was one of us, what made him into a murderer, but also to create a world where this wrong was righted, and a broken town was sewn back together. I wanted to imagine a town that was loving and safe, a place that might never have existed in real life.

CD We Will Overcome

A little tiger takes an imaginative journey

The little tiger lay on his back in the tall grass.
"Close your eyes, little tiger," said his mother, "and go to ! sleep."

But the little tiger is worried about what sleep might bring.
His mother reassures him that once he closes his eyes, he will dream of magical places. And when he awakens, she will be right there, waiting for him.

Alternating between real-life scenes with the baby tiger and his mother and enchanted dream scenes of sleep's possibilities, Kate Banks's simple, comforting text and Georg Hallensleben's bright, colorful illustrations make this a charming bedtime story for small children.
 
Close Your Eyes is a 2002 New York Times Book Review Best Illustrated Book of the Year and a 2003 Bank Street - Best Children's Book of the Year.
A mother tiger wants her baby to go to sleep, but the little tiger resists. "'If I close my eyes,' he said, 'I can't see the sky.'" She assures him that he will not only see the sky when he sleeps, but will float among clouds and be cradled by the moon. Not in t! he least assured, the little tiger complains that if he clos! es his e yes, he will miss seeing the tree and the bird with blue feathers. With each concern, his mother consoles him with a comforting thought. If this gentle give-and-take were not calming enough for a bedtime story, Hallensleben's lovely dreamscapes (And If the Moon Could Talk) will surely do the trick. Double-page paintings of cloud animal shapes (with the little tiger cozying up with the moon), the "big mountains where the rain lives," and of mother tiger licking her baby are utterly hypnotic. Young children who are afraid to go to sleep will learn that "Dark is just the other side of light. It's what comes before dreams" and that mom is never very far away. (Ages 3 to 6) --Karin Snelson

Wednesday, January 11, 2012

Mezco Living Dead Dolls: Halloween II (2009) Michael Myers Doll

  • Based on the new film
  • Dressed in a film-specific costume
  • Stands 10" tall
  • Comes with bloody knife
  • Window box packaging
Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton). Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to! bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate fa! ther, Dr. Loomis (Malcolm McDowell) has forsaken his connectio! n to Lau rie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will fi! nd these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul Gaita

Rob Zombie's H2 (Halloween) picks up at the exact moment that 20! 07's box-office smash, Halloween stopped and follows ! the afte rmath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.
Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (an! d for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2:! High Voltage), which underscores the doom-laded spiral tr! ack each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is fil! led with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaIt's that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois, to take care of some unfinished family business. Unleashing a trail of terror that only horror master Rob Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable. From acclaimed musician and filmmaker Rob Zombie (The Devil's Rejects, House of 1000 Corpses) comes the sequel to the highly successful and terrifying 2007, Halloween, adding to a legacy that began in 1978. The 2007 remake debuted in theaters on Augus! t 31, 2007, and took the #1 spot at the box office. Written an! d direct ed by Rob Zombie, The Weinstein Company opens Halloween II on over 2000 screens on August 28th.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Films directed by Rob Zombie.Living Dead Dolls Michael Myers Halloween 2 Doll

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