JAY Adams Dogtown Z Boys Sticker Cut Vinyl Decal White

• White Cut Vinyl Decal for use on a dark backround

DOGTOWN AND Z BOYS (DELUXE EDITION) - DVD MovieIn the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly impli! cated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeIn the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original! Z-Boys, and Craig Steyck, the photographer whose publicity fi! rst made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeIn the early 1970s, the sport of skateboarding had so waned from its popularity in the 1960s that it was virtually non-existent. In the Dogtown area of west Los Angeles, a group of young surfers known as the Zephyr Team (Z-Boys) was experimenting with new and radical moves and styles in the water which! they translated to the street. When competition skateboarding returned in 1975, the Z-Boys turned the skating world on its head. . Dogtown The Legend of the Z-Boys is a truly fascinating case study of just how an underground sport ascended on the world. These are the stories and images of a time that not only inspired a generation but changed the face of sport forever. The Legend of the Z-Boys has been described as "The Dogtown text book" and an insightful companion piece to the movie: "DogTown and Z-Boys". . Spanning 1975 â€" 1985, the first section of the 240 page book includes the best of the "DogTown" articles written by C.R. Stecyk III as they originally appeared in SkateBoarder Magazine. The second half compiles 100’s of never before seen skate images from the archive of Glen E. Friedman - many of which appear in the movie. Both Stecyk and Friedman acted as executive producers and advisors for the award winning film, Dogtown and Z-Boys to be released nationwide sim! ultaneously by Sony Picture Classics in April 2002.Meet the Z-Boys - a group of brash street kids from Venice, California's tough Dogtown neighborhood who revolutionized skateboarding with an aggressive in-your-face style that shredded the competition and totally influenced today's extreme sports.

Narrated by SEAN PENN and featuring old-school skating footage, a blistering soundtrack and riveting interviews with skateboarding icons TONY ALVA, JAY ADAMS and TONY HAWK, this award-winning documentary is a historic, no-holds-barred, behind-the-scenes look at the birth of a cultural phenomenon, and the inspiration for the thrilling feature film LORDS OF DOGTOWN.

In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a do! cumentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining ! than any evenhanded version could ever hope to be. --Fionn! Meade

DOGTOWN AND Z-BOYS/GRATEFUL DAWG - DVD MovieDogtown and Z-Boys
In the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photographer whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original foo! tage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn Meade

Grateful Dawg
Jerry Garcia was famous as the visionary behind the Grateful Dead, but his musical tastes were broad, and he found a rewarding partnership with mandolinist David Grisman, whose distinctive "Dawg" style fused jazz with bluegrass. At its best, Grateful Dawg celebrates the easy friendship and truly inspired musicianship of Garcia and Grisman through grainy home-movie footage with surprisingly crisp sound. As one of the film's commentators says, Grisman made Garcia tighter as a musician, while Garcia made Grisman looser, and where the! y met they created an infectious, rootsy style they called Gra! teful Da wg. The film's many highlights include instrumental versions of "Dawg Waltz," "Shady Grove," and "Arabia," as well as splendid footage from Garcia and Grisman's days in Old & in the Way. The talking heads inserted ham-handedly between and over performances, unfortunately, become repetitious and, finally, downright annoying. But Garcia and Grisman fans will still enjoy the glimpse at a rare musical alchemy. --Anne HurleyIn the early 1970s, a group of young surfers from a tough neighborhood south of Santa Monica took up skateboards and offhandedly changed the world. At least it appears so after watching Dogtown and Z-Boys, a documentary about how twelve "Z-Boys" (including one girl) resuscitated a dead sport and created a lifestyle that spread infectiously to become a worldwide counterculture phenomenon, namely high-flying "vert" (i.e. vertical) skateboarding and punk rock abandon. Director Stacy Peralta, one of the original Z-Boys, and Craig Steyck, the photogra! pher whose publicity first made them famous, would have you believe that with empty pools as their springboard, the clan single-handedly carved a niche that grew into what is now referred to as "extreme sports" (snowboarding seems particularly implicated). Degrees of accuracy aside, the hoard of original footage Peralta and Steyck have access to makes for an engaging portrait of "accidental revolutionaries" whose mythology as expressed by themselves (all but one of the original crew give extensive interviews) and those they influenced (including Henry Rollins, Jeff Ament of Pearl Jam, and Sean Penn, who narrates) is far more entertaining than any evenhanded version could ever hope to be. --Fionn MeadeExtremely Durable. Rated for seven years outdoor use by Avery Vinyl Products. Easy to apply. 1. Peel off backing. 2. Stick. 3. Rub transfer tape on front of sticker with the edge of a credit card. 4. Peel off transfer tape at an angle from one of the corners.